Writing about war-online: fiction vs nonfiction
PDF (Українська)

Keywords

writing
fictional genres
non-fiction genres
aspiration of continuity
discrete composition
topos of pain

How to Cite

Shteinbuk, F. (2024). Writing about war-online: fiction vs nonfiction. Bibliotekarz Podlaski, 61(4), 305–322. https://doi.org/10.36770/bp.863

Abstract

Using comparative, typological, and hermeneutical methods, the article examines
the characteristics of various genres in contemporary Ukrainian literature addressing the Russian-Ukrainian war in the information age, to determine the interaction between fictional and non-fictional genres. The analysis concludes that each of the examined books exhibits an aspiration for continuity, contrasting with the ephemeral nature of the continuous online information flow. This aspiration is realized in different ways: institutionally in A. Kokotiukha’s novel The Timer of War..., through discrete composition in books like Fierce February 2022... by D. Bura and Y. Podobna, and The Dictionary of War by O. Slyvynskyi, or through the fairy tale narrative of The Cat, the Rooster and the Cupboard by O. Mykhed. Additionally, both fiction and non-fiction genres effectively utilize their respective strengths and draw from the same source, namely the topos of pain. Writing about war not only truthfully informs about real events but also empowers the fight against existential adversaries, ultimately affirming life, as V. Frankl suggests.

https://doi.org/10.36770/bp.863
PDF (Українська)

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Copyright (c) 2024 Feliks Shteinbuk

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